Tag Archives: william trevor

Treat your writing like fine cheese….

gruyere

It is a truth universally acknowledged that the best Gruyère cheese–the one earning the lofty “AOP” designation in Switzerland–merges both morning and evening milk.

The poet in me likes to think this means both the cow’s morning cheerfulness and her late afternoon pensiveness swirl into the same vat. It’s more likely that mixing last night’s milk into the morning batch gives a head start to the culturing process. The cheese is then aged five months up to a year, another step which lends Gruyère its trademark complexity–sweet, salty, and nutty.

William Trevor, one of my literary idols, was famous for penning a short story and putting it away for as much as six months before re-reading and revising. Now that takes discipline! It’s also a testament to his productivity. I’m sure he had so many pieces in various stages of production that it never bothered him to shelve something for a time.

Jane Austen is another writer known for her reflection. Pride and Prejudice took many years to write. And this delightful novel started out with the title of “First Impressions.” It was only after months of revision and consideration did she settle on the final name of the book that we all know and love so much today.

Both Trevor and Austen, although very different writers, made a name for themselves through complex characters and subtle humor, two elements that can only flourish with adequate rumination and revision.

The next time you finish a story, poem, or essay, try putting it away for a little while. At least give it a good night’s sleep. Fan those first flames of enthusiasm (morning milk) with a healthy dose of maturation (evening milk). I bet you’ll end up with a final product as nuanced and delicious as Gruyère! Bon Appétit!

Advertisements

Inspirations from a Quilt

What could be more soothing than the sound of the washing machine churning, churning, washing away….my dog’s tail thudding against the wall when he hears me walk back into the room…wind chimes, almost from another world, clanging in a gentle morning wind….and the touch of a new quilt, softened by the work and care of a dear friend.

Tquilt.jpgoday I reflect back on yesterday’s visit from my beloved writing friends Mary and Ruth, who came for lunch but brought a cornucopia of my favorite things  — a book of stories from Shirley Jackson, articles, their own precious stories, clean jars ready for canning, and the highlight– a beautiful quilt designed and hand-stitched by Mary herself.

I’m still both awed and humbled. It’s made from squares of heathered purple and accented with strips of beautiful complementary fabrics, modern and traditional with botanical accents. Each of the purple squares is accented with four French knots, which reminds me of my mother, who used to crewel and first showed me that stitch. Mary says the quilt is a marquis-inspired pattern and it is truly unique and something I will cherish to the end of my days.

Twenty-three days into May, and with 23 draft stories under my belt, I’m over the hump but I’m grateful for the inspiration and sustenance of the idea of a quilt. What powers our stories could be considered a “virtual quilt” of its own — memories, scraps of conversation, images, noble truths. What holds the quilt together is that dynamic, fluid, yet mysterious force of imagination. Your imagination will be there in the beginning, during the heady flush of a new idea — and it will also be there as you revise, in the days before a story truly comes to life.

Not all drafts are equal but I’m hopeful that I’ll end up with at least 10 viable drafts to revise throughout the year. More importantly, however, I hope to reinforce enough good habits to last a lifetime. As a reward, I plan to splurge on the last book of stories by William Trevor, a man who might indeed be the heir to our Chekhov. In the meantime, my new quilt and memories of yesterday shall guide my boat.

The Passing of a Storyteller

trevorpicture

Yesterday I learned that the celebrated Irish author William Trevor passed away at the noble age of 88.  The world will undoubtedly mourn the passage of a veritable literary lion—the recipient of nearly every major literary prize except, regrettably, the Nobel—but it is a true personal loss for me. Not just as a writer, and his influence on my writing has been immeasurable but even having never met the man I owe him a tremendous debt as a person.

How many times have I retreated to his world of extraordinary “ordinary” characters? I still do. In fact, it was inside the pages of his hundreds of short stories that I began to truly accept my own flaws and embrace my quirkiness. In doing so, I found that my compassion for my fellow misfits in the world deepened. His words have made me cry and laugh  – the belly-aching kind – the best therapy of all. It is no exaggeration to say that this man saved me thousands of dollars in psychotherapy, I’m sure.

Although he wrote 14 novels, as masterful as they are, he is most revered for his short stories. “Raymond Bamber and Mrs. Fitch” and “A Complicated Nature” are two of my favorites, or at least they come to mind right now, for their Trevoresque blend of humor and pathos. “Access to the Children,” “Her Mother’s Daughter, and “A Wedding in the Garden” are three more poignant stories. And thanks to his inimitable variety, Trevor crafted unforgettable stories of quiet horror that resonate deeply, such as “Miss Smith,” “The Hotel of the Idle Moon,” and “The Teddy-bears’ Picnic.” More recent collections yielded other small masterpieces such as “A Bit on the Side,” “Marrying Damian,” and “Sacred Statutes.” This last story earned him one of his four O’Henry Prizes, a nice little connection to North Carolina, since this award is named after a native son also famous for his short stories! The list goes on and on.

While I will mourn this man, as is his due, I will not descend into tearful blubbery. I will not. I cannot. His works have brought me such joy, consolation, and communion with my fellow humans that my overriding emotion is one of gratitude.

“My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so,” Trevor told one interviewer in a story posted by the Associated Press yesterday. “I am a storyteller.”

From one storyteller to another, I thank you, Mr. William Trevor, pardon me, Sir William Trevor, for all that you mean to me.