Tag Archives: submission

Fiction and Celebrity Sightings at CCCC

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Dahlias, Courtesy of Ruth Moose

 

Yesterday, a group of fiction devotees met at Central Carolina Community College in Pittsboro to delve further into a favorite topic: flash!

We talked about revision and the necessity of tantalizing titles and edgy diction (special thanks to Arthur Plotnik, author of Spunk & Bite). Then we covered publication opportunities, including contests, which are great avenues for beginning fiction writers offering prize money…. plus publication!

And of course, back by popular demand, we made time for new writing sessions.

Drawing from a favorite prompt in The Practice of Poetry, edited by Robin Behn and Chase Twichell (“Aunt Dottie Catches the Hankerchief Tossed by Elvis from the Stage of the Sands in Vegas”), we imagined an interaction between a relative and a celebrity and wrote a story about it. From a beloved uncle meeting St. Peter in heaven to a girlfriend running into a famous rock star at Linens N’ Things while buying a toaster, our writers truly soared with this prompt.

So…next time you’re in line at Harris Teeter, and you think the woman in the big sunglasses behind you looks a little like Ann-Margret, don’t waste the moment asking for an autograph. Get out a pen and make notes for a flash fiction instead!

Many thanks to the attendees of all three flash fiction workshops this year (spring and fall). I hope you had as much fun as I did! And whatever you do, be sure and stay posted to this blog for news of future workshops on the exciting and evolving topic of flash fiction.

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A Day of Flash Fiction ….

at Central Carolina Community College yesterday whizzed by so quickly that I couldn’t believe my eyes when the clock read 3:45….gulp!

sept22 class.jpgFrom a contemporary re-telling of a beloved fairy tale through text messages (yes!) to a memorandum from the Goddess of Chaos (hilarious!) and so much more, the contributions of all nine students simply took my breath away. And the emotions expressed struck every note on the xylophone, from laughter to tears.

What a good flash ought to do, according to Vanessa Gebbie, is to “catch you as you turn away, hold you, and when you’re finished reading, it should echo and resonate.” As the workshop leader, I can truly say that yesterday’s stories will remain with me for a very long time. It was truly an honor to be there.

We had planned to plow through six exercises but sadly, we ran out of time after the fifth. The good news is that everyone left with “homework,” so they can complete the final exercise on their own. And I’ll share it with you, just in case you want to give flash fiction a try. 🙂

Exercise 6. In the News. Choose an actual news headline and write a fictional story. (200-500 words). For example, “Chatham County Sheriff’s Office Uses Facebook to Catch Thief” or “Spring Hope Man Grows a Whopper of a Cantaloupe” (both are real examples from local news sources.)

Hint: To see how another writer probably did this, read “Local Woman Gets a Jolt,” a masterful short fiction by Jennifer Pieroni (published  in New Micro: Exceptionally Short Stories, edited by James Thomas and Robert Scotellaro).

Want more? It’s not too late! Join us on Saturday, October 13, for the next installment: Flash Fiction: Revision and Publication. Now that you’ve written your flashes, you’re ready to show them off! Bring a story of your own and learn how to revise, prepare and submit it for publication in online or print magazines, and how later to create a book-length collection and find publishers.

Chicken Little’s rules for submission

chickenLiving in the country makes it easy to channel my inner chicken on the tricky topic of submission.

The sky is not falling. Worried? Don’t be. The world needs to hear from you, and you need to send your work out. The pluses of submission–meeting new people, discovering new markets, and growing as a writer–far outweigh the minuses. So do it. But do it thoughtfully.

Don’t put all your eggs in one basket. Ninety-nine percent of all publications allow it, so do submit simultaneously (i.e., submit the same story to multiple places at the same time). Just be sure to inform the editors you haven’t heard from as soon as possible if it’s accepted somewhere. Recently, one of my short stories was selected by two publications, but as it turns out, one will print a longer version and the other will happily print the flash version. Another e-zine didn’t publish that particular story but kindly awarded me a $20 Amazon gift card for placing in their contest. One story gets traction in three ways.

Stuff as many eggs in that basket as you can. Don’t send one egg into the world without having at least ten in your basket. Make sure you have several pieces circulating in the world and several in varying stages of completion. How to build your basket? Branch an idea in multiple ways—turn a poem into a short story. Later, write a nonfiction essay about the same experience. Be a triple threat. 🙂

Ask a fellow chicken for help. When seeking new outlets, yes, do your research. But don’t hesitate to ask for help from a fellow writer. They are some of my best sources when it comes to finding new markets. I actually won a “submission consultation” from Chelsey Clammer, a respected writer and editor through Women on Writing and her excellent advice led to the acceptance of two stories in the July 2018 issue of The Birds We Piled Loosely.

The sky is not falling, again. Don’t despair. Ever. Period. Whatever happens, whether you’re accepted or rejected, return to the work that nurtures your spirit. Because this is what makes you happy.

We’ll talk more about submission in the workshops I’ll be leading this fall, so if you’re interested, sign up! In fact, the second-place winner in this year’s Carolina Woman Writing Contest, Anne Kissel, had this to say: “You mentioned the Carolina Woman contest in your class and that helped me take the plunge. Everyone in the fine tribe of CCCC writing folk has been so encouraging to newbies like me. ‘Agora’ — the winning story — was something I worked on in a couple of the classes.”

September 22, 2018: Flash Fiction Bootcamp. Think you don’t have time to write? Anybody has time for flash fiction, and by the end of this class, you’ll have five finished pieces. Bring your favorite writing gear (notebook and pen/pencil or laptop) and get ready for some prompts, new inspiration, and instant feedback. Atten-hut!

October 13, 2018: Flash Fiction: Revision and Publication. Now that you’ve written your first flash fictions, you’re ready to show them off! Bring a story of your own and learn how to revise, prepare and submit it for publication in online or print magazines, and how later to create a book-length collection and find publishers.

 

 

First cherries, first lines

cherriesOut of our four young cherry trees, we ended up with just a handful of tart cherries this year. Our Montmorency tree (left), the first one we planted three years ago, yielded the most fruit.

The first line of a story should be as memorable as the taste of a tart cherry–tangy, sweet, then tangy again. It’s almost lemony, but there’s something else–the flavor of early summer, morning breezes, balmy nights, the eerie song of the wood thrush in the hollow.

“One fine evening the no less fine office manager Ivan Dmitrich Cherviakov was sitting in the second row of the stalls, watching The Bells of Corneville through opera glasses.” (Anton Chekhov, The Death of a Clerk)

“Miss Matt was at least partially conscious that she looked like the teacher everyone has had for English in first-year high school; she was small and pretty, in a rice-powder fashion, with a great mass of soft dark hair that tried to stay on top of her head and straggled instead down over her ears; her voice was low and turned pleading instead of sharp; any presentable fourteen-year-old bully could pass her course easily.” (Shirley Jackson, The Sorceror’s Apprentice)

“Hazel Morse was a large, fair woman of the type that incites some men when they use the word ‘blonde’ to click their tongues and wag their heads roguishly.” (Dorothy Parker, Big Blonde)

Does your first sentence sing with vivid language? Mystery and intrigue? Does it draw your reader deeper? As I revise the stories I drafted this past month, I’ll be cognizant of the work of the masters in the first sentences of their stories, as quoted above. There’s a trick here, and these authors do it. That first sentence must hint at the plot and the universal truth (or unique vision) that caused the author to write the story in the first place.

As we approach the end of my story-drafting blitz this month, (three more to go!) I was delighted to receive a note from the editors of  The Birds We Piled Loosely, a hip online literary magazine, that they accepted two of my short humor flashes: “Etymology in the Neighborhood” and “We Are So Very Sorry” for their July issue.

Come to think of it, submitting work for publication is also a bit like growing cherries in the south. It’s unpredictable, a little scary, (will a late frost hurt those flower buds?) but the scarcity makes the few cherries you do harvest that much more delicious. So keep it up…both the cherry growing and submitting!

 

What’s Buried in Your Winter Garden?

broccoliImagine my surprise when discovering that our broccoli plants had survived the six inches of snow that covered them for several days. After the thaw, I peeled away the dead, soggy leaves and lo and behold, check out this bright green head.

This lesson — never give up hope —  was reinforced when a short story, Running with the Bulls, was recently accepted by the editors of the 2018 Hardball Times Annual. This story was written almost 4 years ago, many years after the events inspiring the story first occurred. (A belated thank-you goes to Jonathan and Robert for their help with this piece.)

Do you have any old stories or poems that never found a home? If so, dust them off and see if any new markets have emerged that might be crying out for your work. Additionally, consider re-thinking any longer stories that might be shortened. While it’s not a true flash fiction, coming in at 2,440 words, Running with the Bulls underwent many revisions through the years, and every time, surprise, surprise, it ended up being shorter and shorter.

These days, I’m also taking a new look at older pieces, particularly poems. Because I’m primarily a narrative poet, I have plenty of work that might work for flash fiction. This is one of the strategies we’ll be covering at my March 3rd workshop on the exciting field of flash. Interested? Visit the CCCC website and reserve your seat today.

In the meantime, never give up hope. Is there broccoli in your garden? As a dear friend and mentor once told me, and this wisdom never fails to inspire me: A good story will always find a home.