Capture the Moment with Poetry

Writing during these strange and scary times is challenging, to say the least. In the current state of the world, it seems a little selfish to be concentrating on writing essays, (and its ultimate goal, my memoir). At the same time, taking a deeper look at my personal experiences as refracted by what’s going on in the world gives my work both perspective and depth. It becomes more meaningful.

The long-form personal essay is rewarding to write, but it’s also exhausting. Fortunately, I’m balancing this work with other projects, such as planning my upcoming Flash Fiction Workshop for the Pittsboro Writers’ Morning Out via Zoom on Saturday, July 18, planning an online Humor Writing workshop for Central Carolina Community College, and, one of my favorite activities, writing poetry.

What I love about writing poetry is that it allows you to take a step back and capture a single moment in your life. There’s no pressure to overthink things or write for pages and pages. You simply jot down the words as they come to you — my little “field notes” are all over the house — and later arrange them in poetic form.

For the month of July, O. Henry magazine kindly published Buster Gets a Bath, which represents one of my more recent poems. Please note that if you were expecting a loftier thought, I apologize. 🙂 Sometimes, like Buster, in the post-bath whirl captured above, you just have to give yourself over to the delicious moment. In his case, he’s just grateful to have survived the bath.

As you continue in your own writing journey, I hope you remember to capture those little moments, reflect briefly on them, and write about them. Yes, it’s a quick fix, it’s instant gratification, but you may find that you’ve just seized a piece of eternity. As they say, the days are long, but the years are short.

So go ahead. Revel in the clover!

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Braving the Slush Pile in Pittsboro!

Slush PileOur mission was brutal. The email from Al Manning, the head of Pittsboro Writers’ Morning Out went something like this:

Pretend you’re an editor of a prestigious publishing house. It’s Friday afternoon. You’ve had a busy week and you’re still staring at a stack of unsolicited manuscripts–the dreaded Slush Pile. You’re tired and you want to go home. You’ll raise your hand as soon as you hear something that would cause you to reject the manuscript in front of you.

Yesterday I had the honor of serving as a panelist (along with writers Ron Voigts and Judith Stanton) at the 3rd Annual Slush Pile event at the Pittsboro Writers’ Morning Out meeting. As we listened to the 300 words submitted anonymously by the brave ten writers who participated, we agreed, disagreed, and agreed to disagree on the elements that would cause a busy editor to move to the next manuscript in the pile.

And that’s what editors do. What I liked most about a manuscript didn’t necessarily appeal to the other panelists and vice versa. It goes without saying that writing submitted to an editor shouldn’t contain typos or grammatical errors; these are easily caught by a diligent proofreader. We truly didn’t see many of these–the majority of the manuscripts we reviewed were quite polished and free from pesky errors of this nature.

To help, I’ll share what resonated the most with our panel in terms of style. The manuscripts we “rescued” from the slush pile shared four basic elements:

  • Strong opening–and this includes the title!
  • Engaging and unique characters. What’s your character’s point of view?
  • A good blend of exposition and action. And by action, I also mean dialogue.
  • Conflict and tension. What’s at stake for your character? Why should we care?

Above all else, if you’re writing, submitting, and braving a very real slush pile, it’s most important that you NEVER despair. Don’t give up. Editors are, after all, human and have their own peculiarities as far as taste and style. So, if you find yourself drifting in a slush pile, pull out that manuscript days (or weeks!) later, and view it with fresh eyes.

And as you revise your work and prepare to share it with the world, please consider joining me for your choice of two separate workshops in 2020 on the subject of submission. We’ll talk about revisions, cover letters, markets, and much, much more.

Check out my Events page for more information and how to register.

 

Creative Writing Creates Community!

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With nearly 45 attendees, we set a record!

In between all the costumes, readings, nibbles, and door prizes, a theme quickly emerged at the CCCC Creative Writing Program event open mic on Friday: COMMUNITY!  In addition to appearances by favorite local writers and fans, people came from as far away as Lee, Randolph, and Orange counties to read and savor the work of others.

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Robert Baggett, Kristy Baggett, Maggie Zwilling (CWP Program Coordinator) and Al Manning of the N.C. Writers’ Network.

We were delighted to see Kristy Baggett, Director of Personal Enrichment at CCCC, who joined us with her husband Robert. To name just a few, local writers such as Karen Pullen, Al Manning, Mary Barnard Ruth Moose, Ralph Earle, Judith Stanton, Linda Johnson, and Michele Berger also joined us.

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Check out our new podium sign! Many thanks to Maggie Zwilling!

Our emcee, founding CWP member, linguist and poet Chris Bouton (pictured above in a snazzy hat), opened the event by reading our newly minted mission statement, which was compiled by our wonderful and talented marketing intern, Sarah Beth Robbins:

“The Central Carolina Community College–Creative Writing Program teaches the craft of writing as an art form, fosters imagination and excellence in writing, and creates a community for writers, whether they are beginners or seasoned veterans. We believe in the beauty and power of good writing and its ability to transform both writers and the world.”

Chris was on the verge introducing the first reader when lo and behold in sashayed none other than Queen Elizabeth I, that legendary patron of Shakespeare and many other poets.

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Susie Whorley, a talented and favorite local actress, brought Good Queen Bess to life again.

 

 

 

 

 

 

 

 

 

 

Fittingly, the Queen transported us back to Elizabethan England, the home of the English sonnet.  She regaled us with a reading of “When I Was Fair and Young” (penned by the Queen herself) and other Elizabethan favorites!

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Ralph Earle, author of The Way the Rain Works, treated us to a new poem, “Blood Moon over Brooklyn.”

Our readers then took their turn at the mike, where we were transported again into the hearts and minds of friends, both new and old. Given the occasion, I shared a piece of my own twisted writing, “The All-Inclusive Vacation for Pessimists.”

The work shared (whether poems, essays, or fiction) was truly global, featuring settings as familiar as Pittsboro and as exotic as Africa. The universal emotions conveyed united us all: joy, laughter, grief, and fear. And this is how community is created.

Chris then closed the event by thanking everyone and drawing three door prizes, which included published samples of several of the local writers.

Scroll down to see more pictures of the event. And if you hadn’t been there, no worries, we’ll be holding another event in the spring. In the meantime, however, you can join our community by enrolling in any of the CWP Spring 2016 Courses, which will be available online soon.

Photographs courtesy of CWP Board Member Mary Barnard, who pulled double duty as photographer AND poet extraordinare! 

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Ty Stumpf, CCCC Director of Humanities and N.C. Poetry Society Board Member, shared three wonderful poems. He is a regular favorite!

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Kim Overcash, CCCC faculty member, CWP Committee Member, and local writer, shared a portion of a short story in progress. Think Jayne Mansfield, reinvented as a zomb-shell. (Get it? Bombshell!)

 

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Al Manning, who leads the Pittsboro Writers Morning Out, and who represents Chatham/Lee counties for the N.C. Writers’ Network, shared a curmudgeon-y version of “Mary Had a Little Lamb.”

 

 

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