Our mission was brutal. The email from Al Manning, the head of Pittsboro Writers’ Morning Out went something like this:
Pretend you’re an editor of a prestigious publishing house. It’s Friday afternoon. You’ve had a busy week and you’re still staring at a stack of unsolicited manuscripts–the dreaded Slush Pile. You’re tired and you want to go home. You’ll raise your hand as soon as you hear something that would cause you to reject the manuscript in front of you.
Yesterday I had the honor of serving as a panelist (along with writers Ron Voigts and Judith Stanton) at the 3rd Annual Slush Pile event at the Pittsboro Writers’ Morning Out meeting. As we listened to the 300 words submitted anonymously by the brave ten writers who participated, we agreed, disagreed, and agreed to disagree on the elements that would cause a busy editor to move to the next manuscript in the pile.
And that’s what editors do. What I liked most about a manuscript didn’t necessarily appeal to the other panelists and vice versa. It goes without saying that writing submitted to an editor shouldn’t contain typos or grammatical errors; these are easily caught by a diligent proofreader. We truly didn’t see many of these–the majority of the manuscripts we reviewed were quite polished and free from pesky errors of this nature.
To help, I’ll share what resonated the most with our panel in terms of style. The manuscripts we “rescued” from the slush pile shared four basic elements:
- Strong opening–and this includes the title!
- Engaging and unique characters. What’s your character’s point of view?
- A good blend of exposition and action. And by action, I also mean dialogue.
- Conflict and tension. What’s at stake for your character? Why should we care?
Above all else, if you’re writing, submitting, and braving a very real slush pile, it’s most important that you NEVER despair. Don’t give up. Editors are, after all, human and have their own peculiarities as far as taste and style. So, if you find yourself drifting in a slush pile, pull out that manuscript days (or weeks!) later, and view it with fresh eyes.
And as you revise your work and prepare to share it with the world, please consider joining me for your choice of two separate workshops in 2020 on the subject of submission. We’ll talk about revisions, cover letters, markets, and much, much more.